Devlog #7 Explorer and the Aborigine

New level development 

The gameplay mechanics of this new action-based level is almost ready. However, as the mechanics of this level are quite different from those of the other point-and-click levels, it has taken lot longer for us to work out a suitable design. Plus, we’ve introduced a new action for the character, and the artwork of this level has also gone through several changes in order to keep the gameplay experience smooth enough. Therefore, as you can see from the screenshot below, the bugs that can come along with all this new stuff are just borderline ridiculous.

And For the past few months, while we were developing the levels which heavily involved the dual characters system, we realized that we can not use one single control system for both of the characters. So on the programming side, we are now working on separating them into two.

In order to explain why both of the characters should not share one control system, we’d like to explain a little bit more about each character’s role in the world and how they might affect the gameplay design. 

Explorer and the Aborigine

The main character, our young boy, was designed as the classic “explorer”. You and him start the game together with the same very limited understanding of the surroundings. But along with the development of the story, the more you two learn and discover, the stronger the sense of connection and achievement can be developed between you and the character. This “emotional bond” is actually what we hoped to achieve the most during the game design. So based on this purpose, the gameplay experience will be more important than the action design itself. So far our main character has already got almost 25+ sets of animations, which is more than enough to cover most of the gameplay needs.  

This was the system we followed, and it worked fine until recently, because we do not just have only one character. And their role in the game are really quite different.

Past the first half of the story, the player will soon find out that our secondary character has an unique ability, which will make it more like an aborigine of the LUNA world or a guide that was sent with an unknown mission or purpose. So in order to emphasize this important role difference, both the action and gameplay that are related to it have to be designed differently. 

If we keep adding new features and action sets into the old system, it might cost more serious bugs in the future and is clearly not the best solution. So our programmer is now working on making sure the old and new features can be played smoothly. It’s not an easy task and it is taking longer than what we expected, but we believe the future progress will definitely benefit from this, so no shortcuts.  

Finally, some animation to let everyone know we are still alive and working hard on LUNA.

                                                            chomp chomp chomp

Devlog #6 Refinements Results & SHCC

Refinements Results 

Walking cycle

The walking cycle is usually the most basic and also the most difficult animation to deal with. We realized the jumping/jerky issues of our boy character’s walking cycle is due to his quite dramatic up-and-down movement and big step. So we retouched the animation by referencing more game characters' walking cycles instead of the traditional cartoon/animation movement. The new walking cycle by its own might seems less exciting than before, but once it's been placed in the game environment, it turns out to be a lot smoother and pleasant to look at. 

 Also we realized the camera movement in some of the levels would magnify this jerky issue. More research will have to be put into fixing this issue later on.

Art material size optimization

The build of our game is getting bigger everyday, and this could be worrying. No player would like to experience crashing before even starting the game. So the earlier we start looking into this problem the better. It’s tricky to want to maintain the hand drawn/organic feel of the game's art without using big chunks of background drawings. So, this month we chose one of the new levels we are developing, and tried to find a balance between using seamless and original textures for building the background. We are also trying to get the color effect right by using multiply layers with blending adjustment in Unity. There will be more challenges to take, but the first attempt turned out lot better than we expected. (see image below)

                                                 Before (left) & After (right) Optimization

SHCC

Last weekend we’ve been invited to Shanghai Comic Con to showcase LUNA (with 2 new demo levels added) along with many other great indie game teams. For all the people who came around to say hi and left us great suggestions, we really appreciated all your support! Hope in the future we will have more chances to bring LUNA to other game show exhibitions in different countries.

                                           Had our first time exhibition stands design experience in SHCC

For the new month, we are planning to start the development of a new level next month. The gameplay we designed for this level will give us quite a few technical challenges as it involves quite a lot study about the physics of shadow movement. Also, players could expect to experience some good old action gameplay mixed within the puzzles.  
 

Devlog #5 Storyboard & Gameplay Design Refinements

Is that you? 

During last three weeks, the Team has finally met each other in person for the first time. The four of us have been working together closely for about one year, yet still we found it was hard to put the face and voice together when we met. It was a very interesting experience.

Thanks to our friend Fred, we finally had some co-working picture. From left to right: Betty(Artist), Fox(Manager), W.Guan(Programmer) and W.Qian(Musician)

Although in this day and age long distance communication has become a common way of co-working, especially usual for indie teams, still there is nothing more productive than a real time, face-to-face communication. This has indeed become both an advantage and disadvantage for many indie teams. We’ve avoided the high cost of renting a studio or buying office equipment, but sometimes we really do suffer from the feeling of isolation and sense of disconnection, due to not being able to see your teammates very often.

So during the two weeks of intense meeting this month while our artist was in China, we had the opportunity to sort out quite a few important gameplay and design issues that troubled us before. 

Storyboard

The draft storyboard for the four major cinematic clips during the game is almost completed. We now have the visuals of the key events, locations and characters’ background stories. This will help our musician to work in advance on some new music compositions. It is important that the visuals be delivered to everyone as complete as possible. It might seem like just the artist's job, but the mood and emotion of the story can help other teammates to have a more complete understanding of the game. Everything needs to be shared and discussed.

                                                                  some of the storyboard drafts

                                                          Example of one completed storyboard

Gameplay and design refinements

According to the previous work plan, during the meeting we have finalized the theme for all the rooms (levels). Each room now has its own function and content. Also, we don’t want to put any objects that don’t relate to the environment of the room, just for the sake of the puzzle. As much as we don’t want to have the puzzles standing out too much from the theme, we also have to consider the feedback we’ve received often from players, that no one likes to click through the entire screen to find a clickable object. This could be one of the biggest challenges in the design part.

Furthermore, in order to provide a smoother gameplay experience, we are also going to re-adjust the difficulties between levels. For example, in the early stage as the story still remains a mystery, the puzzle difficulty curve might be a constant upwards curve.Then during the middle stage, as the puzzle requires more complicated cooperation between characters, we are then going to adjust the difficulty curve or even reduce it a bit. Meanwhile as more cinematics kick in, the story and all the mysteries will be slowly revealed. We even would like to break the puzzle pattern completely at this stage, in order to switch players’ attention more towards the storytelling rather than just focusing on the puzzles. In one word, we hope LUNA will not only be experienced as a series of puzzle challenges, but rather an interactive story, delivered as a game.

Along with the gameplay details of the levels being continuously refined, we are going to start optimizing some old problems, such as the walk cycle and oversized texture issues. 

Devlog #4 Additional help, new map & LUNA creatures

Since we launched the KS campaign and started the development, there has been many designers, sound composers and artists who contacted us offering help and support. We are thrilled and also really appreciate all the offers, however due to the team location and our limited budget, we can't always bring new team members onboard as we wish. 

But sometimes, luckily, things do work out. Last month we invited our first local QC tester, Erin, to the project to give a try on one of the new semi- completed levels, which helped us detect some great/bad bugs (developers sobbing). Also, via our musician’s connections, we’ve been introduced to one brilliant sound designer, Mr F, who has extensive experience on game sound design. He showed strong interest in our game and is willing to give us a hand in the future. We wish this help will bring in new fresh point of view and productive boost.

Map Expanding  

This month, we are exploring the possibility of taking our character completely out of the tower, expanding the adventure map to a bigger area. It was already part of the story, but we decided to bring this part of the cinematic into the gameplay. Therefore, players will be able to have a bigger perspective to look around the LUNA world. This will also allow more freedom for us to play around with different gameplay mechanics which will involve more character movement control. Some kind of vehicle or transporting system is also under development. We really hope this new design will live up to its full potential.  

                                               A dock? A bus stop? A train station?

                                                        Design for an new location

LUNA Creatures

LUNA might seems like a desolate world, but it surely has more creatures running around in the corners. They are not exactly part of those shadow beings, and clearly look different from our main characters. What will be their stories and what are the relationship between them and our characters? It’s been a lot of fun for us to design them and these mysteries will be waiting for you to discover.

Since we have completed writing 90% of the story, it’s time to have them drawn as storyboards or even start some animation tests. Also during the next month, the team will finally have our first gather together (by now we are all working separately from our own house/office/studio between London and Shanghai, mostly communicating through skype call and chat). We will try to use this opportunity to boost our game production.

Devlog #3 The Shadows & Interactive Objects

Great News!

LUNA has won the Best Visual Art of the Year award in the Indieplay 2016 games festival (Shanghai, China) last week! Woohoo! ╰(*°▽°*)╯

Like many indie game studios or dev individuals all over the world, sometimes it could feel quite isolating and daunting during game development. It's not easy to be a one-man band, so it's always nice to meet other game developers to bounce ideas, make connections, and most importantly, to show support for each other.

Trying to take a baby step for LUNA in the industry, we (Lantern Studio) submitted our game’s demo 2 months ago to Indieplay 2016, one of the biggest indie game festivals in China. Regardless of whether it would have won anything or not, it would already have been a great experience for us. During the last couple of weeks and the 2-day festival show, we met many game industry experts, individual developers, indie game studios, and indie game supporters. To our surprise, it could not have ended in any better way, as LUNA won the prize in the Best Visual Art category! This is such a huge encouragement for a small team like us, with still many miles to walk. We thank you all for keeping believing in us.

Okay, now let’s get back to the dev log. 

The Shadows  

You do notice that our game has a small subtitle call “The Shadow Dust” right? So what is it? If you have tried the demo, you must remember the shadow crow in the beginning. In fact, these shadows will be playing a huge part in the latter part of the game. It has also a lot to do with the character’s past and the mystery about the tower. So during the last month, we focused on developing the “shadows” side of the story in some of the levels. Here are some animations and concept art about these things from the dark side.

                                                                                       Shadow Creature - Concept Art

                                                             Shadows among the Paintings

Interactive Objects

LUNA is actually not a typical point-and-click game. With no dialogue/text to read and click through, it relies heavily on the interactive animations, music and randomly popped up effects to keep the player entertained while solving the puzzles. So we were also trying to get as many items in the background clickable as possible. Many still object are now being animated, designed with new sound effects and mini-game features. We hope they will add more fun and magic into the game world.